| [Read first down each column, then again row by row across columns.] |
||
| The Wind |
Translated from the English
A Dream |
|
| The wind blew fierce last night. | I dreamed of you. | |
| Tree branches banged on the roof. |
You rapped with knuckles and fists on the door. |
|
| Rain sprayed heavy against the windows. |
You frothed spittle in torrents on the glass. |
|
| I had merely built my house there. |
I had only sought sanctuary. | |
| This afternoon, | This evening, | |
| the wind averts its eyes, | you flicker the candle, | |
| waiting for shadows to lengthen | waiting for darkness to flood | |
John K. KruschkeFirst published in
Pangyrus,
October 02, 2026.
Notes: Regarding the format: When reading a poetry journal that presented English translations beside originals in languages I don’t know, I realized that the translator could write anything, and I’d have no way of knowing whether it matched the source. I was also piqued by the heading that appeared above them: “Translated from the Chinese” (or whatever the language). So I imagined a genre of poems called “Translated from the English” in which the translation is a free-association based on the original, such that each enriches the other. I added one essential rule: the contrapuntal structure must read coherently and generate emergent meaning when scanned row by row across columns; otherwise they’d just be two parts of a single poem. Many of my poems in this form have one side dominated by nature, and the other side dominated by human psychology. In this poem, “The Wind || A Dream”, the storm and the dream become metaphors for each other, both emerging a bit more supernatural.
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