| [Read first down each column, then again row by row across columns.] |
||
| Fish Ladder |
Translated from the English
Going Home |
|
| Salmon swim upstream. | You can try, but there is no going home. | |
| Bears take their share. | Working hourly consumes a lifetime. | |
| Mountain pond languishes, dammed. | See, there is no going home. | |
| Fish lay eggs, fertilize, spawn. | My baby’s crown smells heavenly,
better than coffee, better than gardenias — |
|
| Gills struggle, scales tarnish,
in wavelet-rippled light. |
this is being home. | |
John K. KruschkeFirst published in
The
Imagist, Issue 6.1, 24 July 2026.
Notes:
Regarding the format: When reading a poetry journal that presented English translations beside originals in languages I don’t know, I realized that the translator could write anything, and I’d have no way of knowing whether it matched the source. I was also piqued by the heading that appeared above them: “Translated from the Chinese” (or whatever the language). So I imagined a genre of poems called “Translated from the English” in which the translation is a free-association based on the original, such that each enriches the other. I added one essential rule: the pieces must be contrapuntal, reading coherently and generating emergent meaning when scanned row by row across columns; otherwise they’d just be two parts of a single poem.
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